» Happy ‘Halloween’: The Best Horror-Movie Monsters

» Happy ‘Halloween’: The Best Horror-Movie Monsters

Halloween is on Saturday. We really like Halloween. And so we are going to use the upcoming holiday as an excuse to talk about horror-movie monsters for the next 4,500 words. But the whole point of this isn’t just to meander around the graveyard, it’s to figure out who the greatest horror-movie monster is. There are some rules in place to make this a more feasible task:

Rule 1: The monster has to be an actual monster. It can’t just be a person who is horrible and kills a lot of people. We’re talking literal monsters here, not figurative ones. To be clear, you can have the human form, but you have to be more than just a human. For example, guys like Jason Voorhees (Friday the 13th) or Freddy Krueger (A Nightmare on Elm Street) — they have human forms, but they’re undead demons of some kind, so that means they’re monsters. Meanwhile, guys like Hannibal Lecter or Norman Bates or Jigsaw — just boring, old regular humans who kill and kill and kill — are out. The only exceptions we’re making here are for Michael Myers from the Halloween franchise because he has exhibited superhuman strength enough times to make his status as a regular human legitimately questionable, and Leatherface from the Texas Chainsaw Massacre franchise because he’s the best example of someone being a monster while not actually being a monster.

Rule 2: The monster can’t be a real animal. If it’s a real animal you can find in a zoo, it’s eliminated from consideration. Size doesn’t matter, either; could be 10 feet tall, could be 100 feet tall, makes no difference. That means there’s no Jaws, there’s no Lake Placid crocodile, there are no razorback pigs from Razorback, no animals like that.

Rule 3: The monster can’t be a benevolent monster. We’re only talking about monsters who are out for blood and death and gore. Benevolent monsters are boring and dumb and why are you even a monster if you’re not trying to tear someone’s arms from their body. FOH, Harry from Harry and the Hendersons.

Rule 4: The monster can’t be a monster who is only temporarily a monster. If it can transform back into a human, it’s out. Mostly this rule is here to get rid of werewolves, easily the least intimidating and most manageable type of monster.

Rule 5: You can’t pick any of the classic horror stuff. That means no Dracula, no Frankenstein, no Mummy, no things like that. Or, we suppose those of you playing at home can if you really want, but those guys are always a better idea than they are an actual thing. So let’s just leave them out so we don’t feel any obligation to pick them.

Before we get to identifying the greatest horror-movie monster, there are some horror-movie-monster awards we need to hand out first.

[Note: It goes without saying, but most of these videos are very bloody and very gross.]

Best Outfit

Jason: The Mimic, Mimic.

Do monsters wear outfits? I wasn’t aware they did. Monsters, I’m saying, do not immediately strike me as being concerned about fashion. So this one stumped me for a bit, Shea. But then I thought: What if a creature needed to put its prey at ease, needed to keep its true, vile nature hidden so as to take its victims unawares and avoid the attention of potential predators? What if this monster were, in fact, a gigantic cockroach and therefore had good reason to care about appearances, because people instinctively find roaches disgusting, try to kill them on sight, and would be unlikely to let a roach the size of a human being anywhere near them? I give you the killer roaches from Guillermo del Toro’s American film debut, Mimic, whose chitinous outer shell and wings can be arranged in such a way as to appear like a creepy dude in a raincoat. Which, believe it or not, is better than looking like a roach.

Shea: Monsters do wear outfits, yes. Sometimes I like to think about Jason Voorhees getting ready for a long night of killing, standing in front of a mirror, wondering which tattered pair of pants or old military shirt to wear.

» Happy ‘Halloween’: The Best Horror-Movie MonstersParamount Pictures

Imagine the Creeper from Jeepers Creepers trying to find a hat that best matches his coat.

BHMM_creeperUnited Artists

Imagine Freddy opening a closet door and it’s just full of green-and-red-striped sweaters.

BHMM_freddyNew Line Cinema

Monsters wear outfits, Jason. Yes. And nobody ever had a better outfit than Nomak from Blade II. Look at how great this shit is:

BHMM_nomak_bladeIINew Line Cinema

It’s so smart and I just really love all the layers. He’s wearing a scarf, Jason. A SCARF. A monster who wears a scarf is a monster that, I think, deserves all the respect and admiration. He legit looks like he walked straight off the Yeezy Season runway. I’ve never looked as cool at any point, even on my best day, as Nomak the monster did here. That’s a very sobering thing to realize, which is what I’m doing right now. Dang.

Most Creative Kill

Shea: I’m going to cheat a little bit here. The most creative kill came not from an actual movie monster, but from a movie cube. Have you ever seen Cube? It came out in 1997. Basically, it’s about a group of people who wake up inside a Rubik’s Cube–like prison and have to figure a way out, except all the rooms periodically shift locations, and oh, just for fun, most of them are booby-trapped and exist only to kill you. But that’s where we get the most creative kill. A guy enters one of the rooms, feels like he’s doing OK at navigating the cube, and then ka-blammo, this happens:

If you have to die in a movie, being turned into a bunch of cheese squares is just about the best way to go, I think.

Jason: This is easy. It’s the electric-chair-lift kill in Gremlins.

In order to pull off this cruel and ingenious murder, the Gremlins needed to:

  • Break into old Mrs. Deagle’s home without her knowing. This step is the easiest for creatures as intelligent and devious as the Gremlins.
  • Pretend to be Christmas carolers. This is harder than it appears. It requires, first, advance knowledge of Mrs. Deagle’s hatred of Christmas carolers. This part still mystifies me. Then the creatures have to sing in a recognizably carol-y enough way to lure the cantankerous harridan out of her home, AND be prepared with hats, scarves, and — because the Gremlins really are sticklers for landing a sight gag — matching sheet music.
  • Within only the few seconds that Mrs. Deagle is preoccupied while gaping in horror at her yowling little green visitors, the inside Gremlin must then sabotage the woman’s motorized lift chair in such a way for it to accelerate uncontrollably, launching the chair and its occupant out of the window on the top floor of her home and into the street.

Shea: You know what? I watched Gremlins last Christmas with my kids. I remembered it being this charming, fun movie. I’d totally forgotten about all the murder that takes place in it. Those motherfuckers were really just out there killing A LOT of people. I mean, it wasn’t as bad as when I watched Scream with my kids, which was a big-time mistake on my part, but it was surprisingly close.

Hardest to Vanquish

Jason: Sex parasites from Shivers.

True fact: Sex is integral to the survival of the human species. Basically, we have to do it or the human race will just, like, die out. Nature, oh worker of wonders, is a problem-solver and understands this conundrum, which, I would imagine, is why sex feels really good and why the act of human sexual congress can bring people to higher levels of interpersonal understanding, strengthen emotional ties, and engage the mind, body, and soul. In other words: Sex, as a general rule, cannot be avoided.

Which is why the sexually transmitted blood parasites from David Cronenberg’s 1975 sex-horror classic Shivers are the hardest — the pun writes itself — monster to vanquish. They are essentially unvanquishable.

Shea: This is actually a great, inarguable answer. I was going to say something like the plants from The Happening, which were releasing that neurotoxin into the air that caused people to commit suicide and were basically unavoidable and also nobody ever figured out how to get rid of them, but I think I like your answer better.

Best One-Liner

Shea: No movie monster ever had one-liners like Freddy Krueger had one-liners. He was basically the Arnold Schwarzenegger of movie monsters. Remember “Wanna suck face”? Remember “I’m your boyfriend now, Nancy”? Remember “No screaming while the bus is in motion”? He had so many great ones. His best one, though, was in A Nightmare on Elm Street 3: Dream Warriors, when he hit that TV-obsessed girl with a “Welcome to prime time, bitch” and then smashed her head into a television. That’s just some truly first-class needling.

(Also: Laurence Fishburne makes a cameo in that clip. I love Laurence Fishburne so much.)

Jason: “EeeEEeeeeaaAnghhhhhEeeeeAgnnnnhhhhkkkkkkkkKKK.”
—Godzilla

Best Weapon

Jason: The writings of the novelist Sutter Cane, In the Mouth of Madness:

Best-selling horror novelist Sutter Cane’s latest book causes people to go violently insane. In itself, it’s not that big of a deal since that means they have to purchase the book first. The real problem is that Cane’s writings are imbued with hidden messages from a race of evil gods from another dimension.

Shea: I think this is probably the best example of the philosophical difference between you and me, Jason. A category comes up in this article about the best weapon a horror-movie monster has ever had and here you are skirting around the edges of obscurity, slow-dancing with shrewdness. And I’m like, nah, the best weapon was when the Lubin rapped in Leprechaun in the Hood:

That’s a hot-ass song, my dude. IT’S NOT MY PICK, THOUGH.

My pick is definitely Leatherface’s chain saw. It has to be, right? There’s just no other reason a person who is not a lumberjack would be holding a chain saw except to mess you up. Plus, you don’t even have to see it to be scared. You just have to hear it. It’s so loud and unsettling and just is a totally terrifying thing. It’s the worst. It is SO the worst.

Most Likely to Be Able to Turn His or Her (or Its) Life Around

Jason: Swamp Thing.

I know you said no benevolent monsters, but let’s be real: A true monster would never be able to turn its life around. A true monster sees people as walking Hot Pockets and just wants to eat their intestines. So I went with Swamp Thing.

New-horror pioneer Wes Craven’s Swamp Thing, the schlocky 1982 adaption of the Len Wein and Bernie Wrightson DC Comics character, is the most underrated movie in the director’s oeuvre. Which is not to say it’s a good movie. The costumes appear and indeed were cheap. There are numerous continuity errors and the writing is bad. But Craven got the idea for A Nightmare on Elm Street while working on the movie, his first Hollywood picture, so there is that.

Anyway, the titular Swamp Thing was once the botanist Alec Holland, who was working on creating a plant-animal hybrid for the government. An attack by a shadowy mercenary group wrecks his lab and sends him fleeing into the swamps, his body doused in chemicals and burning with an eerie flame. Transformed into the hideous Swamp Thing, he still — as the scene above shows — retains his personality and intelligence. So, like, all he needs is a cure for looking like human food mold and he’s totally good to return to society.

Shea: You’re probably right. But I’m just a sucker for a man who’s a rebuilding project, I suppose. Give me Pinhead from Hellraiser for this category. I just really feel like if I hung out with him for long enough, I could convince him to chill. Plus, I’m very into the whole suburban goth thing he has going on. He’s secretly the most handsome of all the horror-movie monsters. That should matter here.

Most Misunderstood Movie Monster

Jason: It’s Dren from Splice.

Dren, the product of a genetic experiment combining human and animal DNA, did not ask to be created. She did not ask to experience the loneliness of being the only thing (thank god) like herself on earth or to biologically mature at an astronomical rate that was totally out of proportion with her mental and moral development. So, while truly a monstrosity, she is basically innocent.

Shea: This is the only time I’m mad about the rules we set in place. Jaws from Jaws would’ve been perfect here. He wasn’t a monster. He was just hungry, which, as far as I can tell, is the whole point of being a shark.

Best Backstory

Jason: The Xenomorphs from the Alien series.

Forget for a moment that the Alien prequel Prometheus was kinda garbage-y from an entertainment standpoint. Here is the backstory for the Xenomorphs established by the film: Alien scientists whose mission calls for them to sacrifice their lives in order to seed barren worlds with life using a viscous black goo, and who are probably the source of all life on earth, establish a facility on a faraway world that is subsequently hastily abandoned. It is discovered by human beings, one of whom becomes impregnated by the black goo, eventually giving birth to a cthulhu-like beast that itself goes on to impregnate one of the original alien scientists with something we later find out is the precursor to the Xenomorphs. Now that’s a backstory.

Shea: It is quite a backstory, yes. But I like my backstories to be easily explainable and easily understandable, particularly in a horror movie, because you need to be able to explain everything important in no more than, say, three seconds, because that’s usually about how long you have to react if you want to survive. So if I’m sitting in my house with a person who has zero knowledge of anything and a killer walks in the front door, I need to be able to say something like, “Yo! That’s the guy who went crazy and killed his sister! He’s gonna kill us, too! RUN!” and have that be the end of it. I don’t have time for questions. I don’t need someone like, “Wait a second. Did you say Jesus was an alien scientist?” because when you start asking questions is when you die. So for that reason, give me Michael Myers’s backstory. It’s nice and linear.

Most Evil Monster

Jason: Satan, The Prophecy.

https://www.youtube.com/watch?v=XhT9KtQb0ac

It’s Satan, yo.

Shea: OK. You got this one. I concede.

Least Intimidating Movie Monster

Jason: Lubin from The Leprechaun movies.

It’s a leprechaun, yo.

Shea: WHAT? No, Jason, no. You’re trending the right direction — it’s a smaller guy — but it’s not Lubin. Lubin was legit terrifying. And stout. He looked like a little ball of muscle. He’d be a tough out.

Here’s how I’m thinking about this: Let’s say it’s just you versus a horror-movie monster in an empty room and only one of you is leaving alive (or as alive as a movie monster can be, anyway). If it’s you in that room and Lubin walks in? Nah. Nope. There’s no way you’re not intimidated by him. He’s just a scary, creepy-looking dude. The only guy who could walk into that room and you’d be like, “OK, I’m good here, I’m not the guy who’s dying”? Chucky from Child’s Play. Look at him:

BHMM_chuckyUnited Artists

You could literally pick him up and just hold him away from your body and you’d be 100 percent safe. No way it’s anybody but Chucky for this category. No way any movie monster is less intimidating than him.

That’s enough awards, I think. Let’s get to the 10 best horror-movie monsters.

10. Ganush, Drag Me to Hell

Shea: You know what? I feel like maybe I got this one wrong, but maybe I didn’t. Here’s the thing, Jason: Whenever you and I work on one of these things, I always end up having to watch a few movies I missed from the past. Drag Me to Hell was like that. I didn’t see it when it came out, and were it not for researching this article, I likely never would’ve seen it. But I watched it. And I loved it. It’s such a good scary movie, in that it’s scary and gross and occasionally unsettling but also fun and enjoyable and with parts you never even thought you wanted to see. To wit, there’s a YouTube video called “To Hell (2009) – Mouth Moments (Funny),” and it’s just all the parts of the movie when something crazy happens that involves a mouth, one of which is Ganush vomiting bugs into the mouth of the woman she’s haunting.

Some monsters that I expected to make this list didn’t. There’s no Pinhead, there’s no Sil from Species, there’s no Seth Brundle from The Fly, there are no super earthworms from Tremors, there’s no fish monster from The Host, there are no cave dwellers from The Descent (one of my favorite scary movies of the last 10 years), there’s no Creeper from Jeepers Creepers (another of my favorites, and a wildly underrated franchise), there’s no Pennywise from It (WHAT????), there’s no Slither, there’s no It Follows, there’s no Chucky from Child’s Play, THERE’S NO CANDYMAN (FOH HOW DID CANDYMAN NOT MAKE IT??????). But Ganush makes it. I don’t know how, but she makes it. And I couldn’t be happier about it.

9. Samara, The Ring

Jason: If someone gives you a cursed videotape, don’t watch the tape. After you don’t watch the tape, continue to not watch the tape and repeat not watching the tape for the rest of your life. If you should happen, somehow, to watch the tape, then, within seven days, copy the tape and give the copy to someone you don’t like, making sure not to mention it’s cursed.

Shea: I would give TF outta this tape to people. There’s no way I’m dying if the only thing I have to do not to die is have someone else die. That’s a little thing called Darwinism, my friend. Same thing if I’m running from a killer. I love you, Jason, but if it’s me and you and we’re running from someone who’s trying to kill us both, I am 100 percent kicking you as hard as I can in the knee so you’re hobbled so the killer can catch you and I can escape. That’s just how it’s going to happen. I’m sorry.

8. Michael Myers, Halloween Series

Shea: He’s always seemed like the coldest, most ruthless, most black-eyed killer of all the movie monsters. I think it’s because he never talks (same as Jason Voorhees) and also because he wears a mask even though it’s not necessary, which I’m sure says something about his general psychosis (Jason’s mask was functional, in that by the end of the series it was very clear he was not a human anymore).

He’s second in total kills (Jason is the leader with more than 300 confirmed kills; Myers has 111; Lubin from The Leprechaun has 45; Freddy Krueger has 42; Pinhead has 35) and first in consistency (nobody is more on-brand). He’s my favorite horror-movie killer, so I’d have liked to have seen him land closer to the second or third spot, but eighth feels right, him hiding back here in the bushes waiting to drive that butcher knife into your sternum.

7. The Babadook, The Babadook

https://www.youtube.com/watch?v=szaLnKNWC-U

Jason: [THIS ONE CONTAINS SPOILERS.] If you find a strange and mysterious children’s book in your home, think twice before reading it to your child. If, after reading said strange and mysterious book to your child, you find yourself experiencing unexplained events and weird dreams, leading you to destroy the book, only to find that the book has reassembled itself and is waiting for you on your stoop, then seriously consider whether you may have, in fact, written the mysterious book yourself and are repressing the memory of doing so.

Shea: I just watched this movie. As soon as it was over I was like, “Well, I guess I’m never reading another book to one of my kids again.” Also, “Babadook” is just a great fucking name for something that’s supposed to be scary.

6. Leatherface, The Texas Chainsaw Massacre Series

https://www.youtube.com/watch?v=R_NH1-NIMhk

Shea: I still remember watching the remake at the movie theater in 2003. I was in college. And I was really feeling like it was a good idea to take the girl I was dating. But it was not a good idea. It was a super-bad idea. There was that one part when Leatherface hangs the guy on the meat hook and the girl tries to get him off it but she can’t and so she’s trying to slide him off and he keeps dropping back down on it. That remains the closest I’ve ever come to throwing up in a theater. AND THAT WAS JUST THE REMAKE OF THE SCENE, which is inferior to the original version, in which Leatherface hangs a girl on a meat hook and then carves up a guy with a chain saw in front of her as she dangles and screams and dangles.

I went on this haunted hayride thing one time in San Antonio. It was real cool. You paid $10 or so, then you just sat on this platform that was pulled by a tractor through the woods and all of these scary things would happen along the way. Michael Myers was there. Jason was there. Freddy was there. But nobody inspired the same sort of fear that Leatherface did when he came running out from the brush with his chain saw just BRRRRRRRARAAARRRRRing. People were literally jumping off the ride to run away. I’ve never forgotten that. (I didn’t run away, because I’m not a coward. I just closed my eyes real tight and grabbed hold of whomever it was that was sitting next to me because actually, yes, I am a coward.) I think maybe it’s because he’s the one guy out of all of these movies who could actually exist in real life. Or maybe it’s the sound of that chain saw starting up. Or maybe it’s his mask made of human skin. It’s probably some combination of all of those things (but mostly him possibly being real). Either way, he deserves to be on here. He probably deserves to be higher, truthfully.

5. Sex Parasite, Shivers

https://www.youtube.com/watch?v=MCseP01zg7w

Jason: In Shivers, a bioengineered parasite runs rampant through an upscale Montreal apartment complex, transforming the building’s bourgeoisie inhabitants into an orgiastic horde of zombies who hunger for fresh flesh to infect. After the last holdout is organized into submission, the DTF-infected surge into the streets to turn out Montreal proper and, one expects, the world.

4. Freddy Krueger, Nightmare on Elm Street Series

Shea: As far as iconography goes, Freddy is either at the very top or he loses out only to Jason Voorhees. I mean, he had a fucking song with Will Smith, that’s how popular he was in the ’80s.

(The best thing about this song is the disbelief Will expresses about Freddy wearing a sweater even when it’s hot outside. I suppose this is a valid concern.)

One of the things I’ve always liked about Freddy is his sense of self-awareness. He’s a showy guy, and he’s not above hamming things up when need be. I think that’s important, at least some of the time. And yet, still, he’s a master killer, and he for sure is inescapable (he’ll either kill you in your sleep, or you’ll go crazy and die from not getting any sleep, which is a real thing I didn’t know could happen). He’s got that great face, that great glove, that great voice, that great attitude, that great everything. It feels wrong having him fourth. It just feels wrong.

3. The Thing, The Thing

Jason: You’re not paranoid if everyone around you really is an alien in disguise that’s out to kill you. The alien monster in The Thing could be anything: your wife, your husband, your dog, your best dude, pre-diebeetus Wilford Brimley, anyone.

Shea: Very surprised the Thing managed to sneak this far up the list.

2. Jason Voorhees, Friday the 13th Series

Shea: He. Is. A. Relentless. And. Perfect. Killing. Factory.

He has the greatest horror-movie kill of all time (when he snatched that girl up while she was in her sleeping bag and slammed it against the tree), he has great accessories (his mask, of course, but also his machete), he has a very strong backstory (died as a kid, returned to kill a bunch of people because he was mad about that and also about his mom getting killed), he quietly had a sense of humor, or if not that then a sense of irony (remember when that one boxer tried to fistfight Jason and so he just stood there and let the guy punch himself out and then hit him with a left cross that literally knocked his head off his shoulders? Or the time he was on Arsenio Hall?), and he was essentially unkillable. I will argue forever that he should’ve finished first. He’s the obvious winner, Jason.

Alas …

1. The Alien, Alien Series

Jason: The alien Xenomorph MOUNTS YOUR FACE, FORCES ITS EGG DEPOSITOR INTO YOUR MOUTH AND DOWN INTO YOUR STOMACH, AND LAYS ITS EGG INSIDE OF YOU, WHERE IT GROWS UNTIL IT BURSTS OUT OF YOUR CHEST, BEGINNING THE CYCLE ANEW. THIS IS THE BEST MONSTER IN MOVIES.

Shea: Oh snap. I forgot about that part. Out of all the ways we’ve seen someone die in this column, having an alien deposit an egg in your stomach via your mouth (GROSS!) and then having that alien explode out of your chest (GAH!) is probably the least desirable way to go. Please continue.

Jason: Right. And to make things even scarier, the alien’s fictional life cycle and biology is actually mirrored in real-life science. The dementor wasp injects its prey with a venom that turns it into a zombie, allowing it to be devoured alive. And a newly discovered wasp species lays its eggs inside a stink bug, where the juveniles eat the bug from the inside out.

Shea: Fucking science, man.




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Niños que sobrevivieron al tiroteo del Super Bowl tienen miedo, ataques de pánico y trastornos del sueño

Niños que sobrevivieron al tiroteo del Super Bowl tienen miedo, ataques de pánico y trastornos del sueño

A seis meses de que las chispas de una bala quemaran las piernas de Gabriella Magers-Darger en el tiroteo del desfile del Super Bowl de los Kansas City Chiefs, la joven de 14 años está lista para dejar atrás el pasado.

Enfrenta los desafíos de ser una estudiante de primer año de secundaria, aunque también está emocionada de reencontrarse con sus amigos y volver a bailar y a jugar voleibol. Incluso podría unirse al equipo de lucha libre para ganarse el respeto en la escuela.

Pero el pasado sigue presente.

En una reunión del 4 de julio, un amigo de la familia llevó auriculares que amortiguan el ruido, por si los fuegos artificiales eran demasiado para ella. A principios del verano, Gabriella tuvo dificultades para ver la colección de armas de un pariente, especialmente las pistolas. Y comenzó a hiperventilar cuando vio la herida en el dedo de un amigo de la familia que se había cortado accidentalmente: la vista de la sangre le recordó a Lisa Lopez-Galván, quien murió por una herida de bala afuera de Union Station, la única fatalidad ese día.

Su madre, Bridget Barton, dijo que Gabriella ha tenido una actitud más dura desde el desfile. “Ha perdido algo de suavidad, algo de dulzura”, observó.

Los niños son particularmente vulnerables al estrés de la violencia con armas de fuego, y 10 de las 24 que sufrieron heridas de bala en el desfile del 14 de febrero tenían menos de 18 años. Muchos más niños como Gabriella experimentaron el trauma de primera mano. Enfrentan miedo, ira, problemas de sueño e hipersensibilidad a las multitudes y los ruidos.

Una adolescente de 15 años que recibió disparos en la mandíbula y el hombro prácticamente dejó la escuela por un tiempo, y los ataques de pánico diarios también le impidieron asistir a la escuela de verano.

Un niño de 11 años que recibió un disparo describió sentirse enojado en la escuela por razones que no podía explicar. Una niña de 5 años que estaba sobre los hombros de su padre cuando le dispararon entra en pánico cada vez que su papá se siente enfermo, temiendo que le hayan disparado de nuevo.

“No es la misma niña. Quiero decir, definitivamente no lo es”, dijo Erika Nelson, madre de Mireya, de 15 años, quien tiene cicatrices en la mandíbula y la cara. “Nunca sabes cuándo va a estallar. Nunca sabes. Podrías decir algo o alguien podría mencionar algo que le recuerde ese día”.

En 2020, las armas superaron a los accidentes automovilísticos como la principal causa de muerte de niños, pero un número mucho mayor sufren heridas de balas y sobreviven. La investigación sugiere que los niños sufren lesiones por armas de fuego no fatales entre dos y cuatro veces más a menudo de lo que son asesinados con armas.

Científicos dicen que los efectos a largo plazo de la violencia armada en los niños se investigan poco y son mal comprendidos. Pero el daño es generalizado. Investigadores de Harvard y del Hospital General de Massachusetts encontraron que durante el primer año después de una lesión por arma de fuego, los sobrevivientes infantiles experimentaron un aumento del 117% en trastornos del dolor, del 68% en afecciones psiquiátricas y del 144% en adicciones. Los efectos en la salud mental se extienden a madres, padres y hermanos.

Para muchos afectados por el tiroteo en Kansas City, Missouri, los desencadenantes comenzaron de inmediato.

“Me enojo fácilmente”

A solo 10 días que Samuel Arellano fuera baleado en el desfile, fue a otro gran evento deportivo.

Samuel fue invitado a un partido de baloncesto masculino de la Universidad de Kansas en el Allen Fieldhouse en Lawrence. Durante un descanso del partido, con una cámara de video apuntando a Samuel y a sus padres, Jalen Wilson, ex estrella de KU, apareció en la pantalla y se dirigió a él directamente.

“Escuché tu historia”, dijo Wilson, que ahora juega en la NBA, desde la pantalla gigante. “Estoy muy agradecido de que estés aquí hoy, y es una bendición que podamos tenerte para brindarte el amor y apoyo que realmente mereces”.

Wilson pidió a los 16,000 fans presentes que se pusieran de pie y aplaudieran a Samuel. Mientras la multitud aplaudía y un locutor exclamaba que era un “joven valiente”, Samuel miró a sus padres, luego al suelo, sonriendo tímidamente.

A photo of Samuel Arellano with his parents.
Los padres de Samuel Arellano, Antonio y Abigail, no estuvieron en el desfile del Super Bowl de los Kansas City Chiefs cuando Samuel recibió un disparo, pero lo han estado ayudando a superar los persistentes efectos emocionales del trauma. (Christopher Smith for KFF Health News)

A photo of a healed bullet wound on Samuel Arellano's side.
La herida de bala de Arellano se curó rápidamente después que le dispararan durante el desfile del Super Bowl de los Kansas City Chiefs en febrero. Pero el trauma persiste. Dice que se enoja con frecuencia. (Christopher Smith for KFF Health News)

Pero minutos después, cuando el partido se reanudó, Samuel comenzó a llorar y tuvo que salir del auditorio con su madre, Abigail.

“Cuando se puso bastante ruidoso, fue cuando comenzó a desmoronarse de nuevo”, dijo su padre, Antonio. “Así que ella tuvo que salir con él por un momento. Así que cualquier lugar ruidoso, si es demasiado fuerte, lo afecta”.

Samuel, que cumplió 11 años en marzo, fue baleado a la altura de las costillas en su lado derecho. Ahora, la cicatriz en su espalda es apenas perceptible, pero los efectos persistentes del tiroteo son evidentes. Está viendo a un terapeuta, al igual que su padre, aunque a Abigail le ha resultado difícil encontrar uno que hable español y aún no ha tenido una cita.

En las primeras semanas luego del tiroteo, Samuel tuvo problemas para dormir y a menudo se metía en la cama con su madre y su padre. Solía tener buenas notas, pero eso se volvió más difícil, dijo Abigail. Su personalidad ha cambiado, algo que a veces se ha manifestado en la escuela.

“Me enojo fácilmente”, dijo Samuel. “Nunca he sido así antes, pero si me dicen que me siente, me enojo. No sé por qué”.

Los niños traumatizados a menudo tienen dificultades para expresar emociones y pueden tener arrebatos de ira, según Michelle Johnson-Motoyama, profesora de trabajo social en la Universidad Estatal de Ohio.

“Estoy segura que para ese niño hay una sensación de tremenda injusticia por lo que sucedió”, dijo Johnson-Motoyama.

Especialmente justo después del tiroteo, Samuel tenía ataques de pánico y comenzaba a sudar, contó Antonio. Los terapeutas les dijeron que eso era normal. Pero los padres también lo mantuvieron alejado de su teléfono por un tiempo: había demasiado sobre el tiroteo en las noticias y en internet.

Abigail, que trabaja en un concesionaria de automóviles con Antonio, está ansiosa por ver a su hijo cambiar, por su sufrimiento y tristeza. También está preocupada por sus tres hijas, una de 16 años y gemelas de 13. Su padre, Victor Salas, que estaba con Samuel en el desfile, también estaba devastado después de los hechos.

“Estoy llorando y llorando y llorando por lo que pasó”, dijo Salas en español cuatro días después del desfile. “Porque fue un caos. Eso no significa que las familias no amen a su familia, pero todos huyeron para salvar sus propias vidas. Salvé la vida de mis nietos, pero ¿qué pasa con el resto de la gente? No estamos preparados”.

En el lado positivo, Samuel se sintió muy apoyado por la comunidad en Kansas City, Kansas. Muchas personas de su escuela se acercaron en los primeros días para visitarlo, amigos e incluso un ex conductor de autobús, que estaba llorando. Tiene una “habitación llena de dulces”, dijo Abigail, en su mayoría Skittles, su favorito.

En su cumpleaños, recibió una pelota de fútbol americano autografiada por Patrick Mahomes, mariscal de campo de los Kansas City Chiefs. Lo hizo llorar, algo que ocurre con bastante frecuencia, dijo su padre.

“Hay días buenos y malos, días más normales y fáciles, y luego hay días en los que la familia tiene que estar un poco más atenta y apoyarlo”, dijo Abigail en español. “Siempre ha sido extrovertido y hablador como su madre, pero eso ha cambiado desde el desfile”.

A photo of Samuel Arellano sitting in his room.
Después del tiroteo, Arellano recibió el apoyo de su comunidad de Kansas City, Kansas, incluidos amigos y un ex conductor de autobús. Tiene una habitación llena de dulces de las visitas, en su mayoría Skittles, sus favoritos.(Christopher Smith for KFF Health News)

El 4 de julio, disparador de una semana

El 4 de julio fue particularmente angustiante para muchos de los jóvenes sobrevivientes y para sus familias. ¿Deberían comprar fuegos artificiales? ¿Querrían celebrar? ¿Por qué todos los petardos que explotan en el vecindario suenan como disparos?

Este año, Gabriella, de 14 años, necesitó la ayuda de su padrastro, Jason Barton, para encender sus fuegos artificiales, algo que normalmente hace con entusiasmo. En el desfile, como muchas personas, la familia Barton primero confundió el sonido de los disparos con fuegos artificiales.

Y Erika Nelson, madre soltera de Belton, Missouri, temía incluso mencionar la celebración a Mireya, quien siempre ha amado el Día de la Independencia. Eventualmente, Mireya dijo que no quería fuegos artificiales grandes este año y que solo quería que su madre los encendiera.

“Cualquier pequeño desencadenante, quiero decir, podría ser un ligero chasquido, y ella se tensaba”, dijo Erika Nelson.

Patty Davis, gerente de programas para el cuidado informado sobre el trauma en el hospital Children’s Mercy en Kansas City, dijo que incluso clientes suyos que estuvieron en el desfile pero no resultaron heridos todavía se estremecen ante los sonidos de sirenas u otros ruidos fuertes. Es una respuesta poderosa a la violencia armada en general, no solo al desfile.

“No es una respuesta exagerada”, dijo Davis. “De hecho, es muy natural para los jóvenes, y no tan jóvenes, que han experimentado algo similar o han presenciado violencia con armas de fuego”.

“No se trata de un trauma accidental, sino de un trauma perpetrado con fines violentos, que puede provocar un mayor nivel de ansiedad en las personas que lo viven, que se preguntan si volverá a suceder. ¿Y qué tan seguras están?”, agregó.

A photo of a girl in a hospital bed with two adults standing beside the bed.
Mireya Nelson fue una de las al menos 24 personas heridas por disparos durante el desfile del Super Bowl de los Kansas City Chiefs el 14 de febrero de 2024. Aquí, el mariscal de campo de los Chiefs, Patrick Mahomes, y su esposa, Brittany, la visitan en el hospital Children’s Mercy. (Erika Nelson)

An up-close photo of a girl in a hospital bed, showing injuries to her jaw.
Una bala atravesó la mandíbula de Mireya Nelson durante el desfile del Super Bowl de los Kansas City Chiefs en febrero. También tiene fragmentos de bala en el hombro y necesitará hacerse análisis de sangre para detectar plomo durante al menos los próximos dos años. (Erika Nelson)

Reviviendo el instante

Los ruidos extraños, las luces brillantes y las multitudes pueden tomar desprevenidos a los niños y a sus padres.

En junio, Mireya Nelson estaba esperando a su hermana mayor después de un recital, con la esperanza de ver a un muchacho. Su madre quería ir, pero Mireya la hizo callar. “De repente, se escuchó un estruendo muy fuerte”, dijo Erika. “Se agachó y luego se levantó de un salto. Dijo: ‘¡Dios mío, me estaban disparando otra vez!’”. Mireya lo dijo tan fuerte que la gente se quedó mirando, así que fue el turno de Erika de hacerla callar y tratar de calmarla. “Le dije: ‘Mireya, está bien. Estás bien. Se les cayó una mesa. Solo están sacando cosas. Fue un accidente’”, explicó Erika.

Pasaron unos minutos hasta que el shock se disipó y más tarde Mireya se rió de la situación, pero Erika siempre está atenta.

La tristeza inicial de su hija (que veía películas durante horas y lloraba todo el tiempo) se ha transformado en descaro. Medio año después, Mireya bromea sobre el tiroteo, lo que destroza a su madre. Pero tal vez eso sea parte del proceso de sanación, dijo Erika.

Antes del 4 de julio, Mireya fue a Worlds of Fun, un gran parque de diversiones, y la pasó bien. Se sintió bien porque había guardias de seguridad por todas partes. También disfrutó de una visita a la oficina local del FBI con una amiga que estaba con ella el día del tiroteo.

A photo of two children posing together.
Kensley Lemons (izq.) y Jaxson Lemons esperan en el pasillo de una clínica médica mientras su padre, James, recibe atención médica por su herida de bala. James Lemons recibió un disparo en el desfile del Super Bowl en Kansas City, Missouri, el 14 de febrero de 2024. (Peggy Lowe/KCUR 89.3)

A photo of a young girl playing outside.
Kensley Lemons juega afuera de una clínica médica mientras espera a su padre, James, a quien le extrajeron una bala de la pierna. Kensley estaba sobre los hombros de su padre cuando le dispararon en el desfile del Super Bowl. (Peggy Lowe/KCUR 89.3)

Pero cuando alguien le sugirió ir al ballet, Mireya lo descartó rápidamente: está cerca de Union Station, el lugar del tiroteo. Ya no quiere ir al centro. Erika dijo que ha habido muchas citas médicas y dificultades económicas, y que su mayor frustración como madre es no poder arreglar las cosas para su hija.

“Tienen que seguir su propio camino, su propio proceso de curación. No puedo sacudirla, como diciéndole: ‘Vuelve a ser tú misma’”, dijo Erika. “Podría llevar meses, años. ¿Quién sabe? Podría ser el resto de su vida. Pero espero que pueda superarlo un poco”.

Piel de gallina en medio del calor sofocante

James Lemons notó un cambio en su hija de 5 años, Kensley, que estaba sobre sus hombros cuando le dispararon en el desfile.

Antes del tiroteo, Kensley era extrovertida y comprometida, dijo James, pero ahora está retraída, como si estuviera dentro de una burbuja y se hubiera desconectado de la gente.

A Kensley, las grandes multitudes y los policías le recuerdan al desfile. Ambos estuvieron presentes en una graduación de secundaria a la que asistió la familia este verano, y Kensley solo quería irse. James la llevó a un campo de fútbol vacío, donde, dijo, se le puso la piel de gallina y se quejó de tener frío a pesar del calor sofocante.

La hora de dormir es un problema particular para la familia Lemons. Kensley ha estado durmiendo con sus padres. Otro hijo, Jaxson, de 10 años, ha tenido pesadillas. Una noche, soñó que el tirador se acercaba a su padre y lo hacía tropezar, dijo Brandie Lemons, la madrastra de Jaxson.

Los niños más pequeños como Kensley expuestos a la violencia con armas de fuego tienen más probabilidades de desarrollar un trastorno de estrés postraumático que los niños mayores, según Johnson-Motoyama, de la Universidad Estatal de Ohio.

A photo of a girl lying next to her dog.
Gabriella Magers-Darger es una de los innumerables niños que vivieron el tiroteo en el desfile del Super Bowl de los Kansas City Chiefs en febrero.(Christopher Smith for KFF Health News)

Davis, del Children’s Mercy en Kansas City, dijo que los niños cuyos cerebros no están completamente desarrollados pueden tener dificultades para dormir y comprender que están seguros en sus hogares por la noche.

James le compró a la familia un nuevo cachorro, un bulldog americano que ya pesa 32 libras, para ayudarlos a sentirse protegidos. “Busqué el pedigrí”, dijo, “Son muy protectores. Muy cariñosos”.

En busca de una salida

Para desahogarse después del tiroteo, Gabriella comenzó a boxear. Su madre, Bridget, dijo que le devolvió algo de la confianza y el control que había bajado después del desfile. “Me gusta golpear a la gente, no de una manera mala, lo juro”, dijo Gabriella en abril mientras moldeaba un protector bucal a sus dientes antes de irse a entrenar.

Sin embargo, desde entonces ha dejado de boxear, por lo que el dinero puede destinarse a un viaje a Puerto Rico con su clase de español. Están pagando $153 al mes durante 21 meses para cubrir el viaje. Las clases de boxeo costaban $60 al mes.

Bridget pensaba que el boxeo era una buena salida para la ira que le quedaba, pero a finales de julio Gabriella no estaba segura de si todavía tenía el impulso para contraatacar de esa manera. “El pasado es el pasado, pero todos vamos a pasar por cosas. ¿Tiene sentido?”, preguntó Gabriella.

“Estás bien en general, pero todavía tienes desencadenantes. ¿Es eso lo que quieres decir?”, preguntó su madre. “Sí”, respondió.

Después del tiroteo, Mireya Nelson probó las clases en línea, que no funcionaron bien. Los primeros días de la escuela de verano, Mireya tenía un ataque de pánico todos los días en el auto y su madre la llevaba de vuelta a casa.

Mireya quiere regresar a la escuela secundaria este otoño, y Erika es cautelosa. “Sabes, si vuelvo a la escuela, existe la posibilidad de que me disparen, porque en la mayoría de las escuelas hoy en día hay tiroteos”, recordó Erika que dijo su hija. “Y yo digo: ‘Bueno, no podemos pensar así. Nunca se sabe lo que va a pasar’”.




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Live illustrations for Dior in Brussels

Live illustrations for Dior in Brussels

Dior is one of my favourite brands: both for fashion and make-up. So when they asked me to make live-illustrations for them in Brussels, I was quite excited! Every live-sketching event is different and it's key to choose an approach that fits the style of the brand…

For this in-store animation, we decided to go with portraits, because it was going to take place at the Dior make-up and perfume counter in a big department store. Portraits are often a good option for a make-up brand, focussing more on the face. At fashion related events, I'd probably opt for complete head-to-to illustrations, to really let the outfits people are wearing stand out. But I always discuss with the brand and the people I work with what they think will work best for their company and their audience.

For this event, I drew in a style that's elegant and modern, using mainly ink and only a bit of watercolor. Below you can see some of the portraits I made that day!

Live illustrations for Dior in Brussels

If you're interested to know more about the options for live illustration at events, check this page!

Good to know: I live near Amsterdam in The Netherlands, but are used to travelling and have done multiple live-art events in Germany, Belgium and France.


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NASA will decide within 2 weeks how to bring home the astronauts who flew Boeing’s spaceship

NASA will decide within 2 weeks how to bring home the astronauts who flew Boeing’s spaceship


If the agency opts to call on SpaceX for the return flight, Wilmore and Williams would need to remain on the space station for six more months.

A SpaceX Dragon capsule is scheduled to launch new crew members to the orbiting outpost in September on a mission known as Crew-9. NASA has said it could alter those plans to send up two astronauts instead of the originally planned four, and then use the empty seats to bring Wilmore and Williams home at the end of the Crew-9 mission in February.

In that case, the Starliner capsule would return to Earth without a crew, according to NASA.

Bowersox said Wednesday that while no decision has been made yet, the agency will need to settle on a plan soon in order to manage resources at the space station and keep operations in orbit running smoothly.

“We’re reaching a point where, that last week in August, we really should be making a call, if not sooner,” he said.

Wilmore and Williams’ launch marked the first crewed test flight of Boeing’s Starliner capsule. The mission was designed to be a crucial final test before NASA could certify Boeing to make regular flights to and from the ISS.

But five of Starliner’s thrusters malfunctioned as the spacecraft was approaching the space station in June, causing delays during the rendezvous and docking process. Helium was also leaking from the capsule’s propulsion system during flight — a problem that mission managers knew about before Starliner launched into orbit but had said was unlikely to affect the mission or the astronauts’ safety.

Joe Acaba, chief of the Astronaut Office at NASA’s Johnson Space Center in Houston, said that astronauts are trained for contingencies, including mishaps that may keep them in space longer than expected.

Wilmore and Williams have been using their extra time in orbit to conduct scientific experiments and help space station crew members with maintenance tasks.

Acaba said that while the duo has been kept up to date on NASA’s decision-making process, they must ultimately rely on the expertise of engineers and mission managers on the ground.

“They will do what we ask them to do, and that’s their job as astronauts,” Acaba said.


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The Who’s Who of Political Influencers

The Who’s Who of Political Influencers

This is a very exciting day! In addition to a fresh makeover for this newsletter, I just published a new project today outlining some of the biggest names in online political influencing from both the right and the left.

Over the past week, I crowdsourced the names of some of the top meme accounts, TikTokkers, and podcasters from across the political spectrum, and we built this interactive list. You’ll probably see some faces you recognize from your own social media feeds, but with how fragmented and personalized social media has become in recent years, it’s nearly impossible for the average internet user to keep up with everyone. This list can serve as a sampling for what’s out there in the world of digital politics, from micro influencers to mega celebrities.


This is an edition of the WIRED Politics Lab newsletter. Sign up now to get it in your inbox every week.

Politics has never been stranger—or more online. WIRED Politics Lab is your guide through the vortex of extremism, conspiracies, and disinformation.


A Political Who’s Who Online

In 2024, influencer marketing became a mainstay in US politics. The White House, Vice President Kamala Harris’ campaign, former president Donald Trump’s campaign, the Democratic National Committee, and the Republican National Committee have all built out vast networks of influencers and content creators. For the presidential candidates, their influencers follow them around the country for rallies and fundraisers, providing them with access to their massive followings. A whole political-creator cottage industry has boomed, with companies like Good Influence working to directly connect creators with the campaigns and issues they care about.

What I love about this list is that it recognizes how impossible it is to account for everyone in the digital political space. Instead, think of this project like a chocolate sampler that includes the best examples of all the flavors of political creators that exist online this cycle. Some are much smaller, focusing on specific state legislatures. Others are billionaires, like Elon Musk. If you hover over someone’s name, you’ll see what their primary platform is, how many followers they have, a description of what they do, and how they’re connected to one another,and to the presidential campaigns.

While building this out, I noticed a handful of significant differences between the types of creators Democrats and Republicans sought to collaborate with online. Specifically, right-leaning creators tended to have much larger audiences than those who worked with left-leaning campaigns and organizations. To me, that showed that Democrats are spending a lot more time scouting out individuals who reach specific demographic groups that could prove important for their electoral outcomes.

Interestingly, that finding corresponds with how the parties have been spending money on digital ads for years. Since I started covering this beat, I’ve spoken with a number of digital advertising experts who often remark that Republicans tend to target their ads statewide, while Democrats like to hypertarget theirs at specific zip codes. This is just a general trend, and not necessarily a rule (remember Cambridge Analytica?), but it would explain the size difference among the creators’ followings. In November, I guess we’ll see whether bigger really is better in this regard!


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How to Watch 2024 FedEx Championship Online: Free Golf Livestream

How to Watch 2024 FedEx Championship Online: Free Golf Livestream

If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission.

Quick Answer: Stream the 2024 FedEx St. Jude Championship online with DirecTV Stream, fubo, Hulu + Live TV, or Peacock.

The 2024 FedEx Cup Playoffs have arrived, kicking off this weekend with the FedEx St. Jude Championship at TPC Southwind. Only the top 70 players of the regular PGA Tour season made the cut for the FedEx Cup Playoffs, which span this weekend’s tournament, the BMW Championship, and the TOUR Championship.

If you’re looking to stream the 2024 FedEx St. Jude Championship online, read on. Below is a quick guide on the best ways to watch the FedEx St. Jude Championship without cable.

How to Watch the FedEx St. Jude Championship Online

The FedEx St. Jude Championship is airing through cable TV on NBC and Golf Channel. Cord-cutters can livestream the golf tournament online using Peacock or any live TV streaming service that carries NBC and Golf Channel, such as DirecTV Stream, fubo, or Hulu + Live TV.

Stream the FedEx Championship on DirecTV Stream

DirecTV Stream carries NBC and Golf Channel in its Choice package, which starts with a five-day free trial. After the free trial, DirecTV Stream Choice costs $69.99 a month for the first three months, and then $108.99 a month after that.

Stream the FedEx Championship on fubo

fubo is another great way to watch the FedEx Championship online with NBC and Golf Channel in all of its plans. You get a seven-day free trial to start, and then payment kicks in at $79.99 a month.

Stream the FedEx Championship on Hulu + Live TV

You can also watch the FedEx Championship without cable using Hulu + Live TV. This one starts with a three-day free trial and costs $76.99 a month after that. Plus, Hulu + Live TV includes ESPN+ for other golf streams.

Stream the FedEx Championship on Peacock

At $7.99 a month, Peacock is a much more affordable way to watch the FedEx St. Jude Championship online, although it doesn’t offer a free trial.

Stream the FedEx St. Jude Championship for Free

Want to watch the FedEx Championship online for free? Use a free trial from DirecTV Stream, fubo, or Hulu + Live TV. These services’ free trials will last you throughout the weekend, providing free FedEx Championship livestreams. Just remember to cancel your trial before it ends to avoid charges.

When Is the FedEx St. Jude Championship? 2024 Dates, Schedule

The 2024 FedEx St. Jude Championship starts on Thursday, Aug. 15, and runs through Sunday, Aug. 18. Here’s the full schedule, including where to tune in during each day of the golf tournament:

Thursday, August 15: 2-6 p.m. ET (Golf Channel, Peacock)

Friday, August 16: 2-6 p.m. ET (Golf Channel, Peacock)

Saturday, August 17: 1-3 p.m. ET (Golf Channel, Peacock); 3-6 p.m. ET (NBC, Peacock)

Sunday, August 18: 12-2 p.m. ET (Golf Channel, Peacock); 2-6 p.m. ET (NBC, Peacock)

FedEx St. Jude Championship Odds, Purse

World No. 1 and (newly-minted) Olympic gold medalist Scottie Scheffler (+330) is the favorite to win this weekend at TCP Southwind, with Xander Schauffele (+800) and Rory McIlroy (+1000) behind him in the rankings.

The reigning champion this year is Viktor Hovland, but, at No. 57 in the PGA rankings, the Norwegian is dangerously close to elimination ahead of the BMW Championship. As of last year, only the top 50 players get a spot in the BMW. He’s currently at a +3500 to win the St. Jude.

Before heading to Castle Pines for the BMW, though, the players at TPC Southwind will battle for a $20 million purse, $3.6 million of which goes to the winner.


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Safety tips for attending school during COVID-19

Safety tips for attending school during COVID-19

As with other illnesses that spread from person to person, COVID-19 outbreaks can happen in schools. There are ways your child’s school can help prevent or stop infections. And there are ways you can help your family avoid getting sick.

Kids have about the same chance as adults of catching the virus that causes COVID-19. How often kids keep their germs to themselves is not clear. But there’s at least some risk of a child bringing COVID-19 home from school and passing it to family members.

The good news is that schools and families can take actions to protect students’ health, both every day and during illness outbreaks.

COVID-19 vaccines

In the U.S., everyone age 6 months and older can get a COVID-19 vaccine.

Staying up to date on COVID-19 vaccines helps prevent serious COVID-19 illness, the need for hospital care due to COVID-19 and death from COVID-19. That’s true for both adults and children.

To make sure all children have the chance to get a COVID-19 vaccine, your school may host a vaccine clinic. Or the school might send information on where to get a vaccine.

Airflow

The virus that causes COVID-19 spreads on the breath of people who are infected. When you’re outside, the natural airflow makes it less likely the virus a person breathes out will infect you.

When you’re inside, or in a vehicle, keeping fresh air moving into the space lowers the amount of germs in the air.

Opening windows can help, along with using fans to pull outside air into rooms. If you’re in spaces where you can’t open windows or if your outside air quality is bad, using an air purifier may be an option.

Hand-washing

Hand-washing with soap and water for at least 20 seconds can help stop the spread of germs at home and in school. For kids and adults who tend to hurry, keep washing until you sing the entire “Happy Birthday” song twice, which takes about 20 seconds.

Use an alcohol-based hand sanitizer that contains at least 60% alcohol if soap and water aren’t available.

Have your child cover the mouth and nose with an elbow or a tissue when coughing or sneezing. Then throw the tissue in the trash and wash the hands right away. Remind your child to avoid touching the eyes, nose and mouth.

Schools can make hand-washing easier by making sure all the supplies are ready for use.

Also, schools can build in time for kids and staff to wash hands. It’s time well spent before eating, after going to the bathroom, or after coughing, sneezing or blowing the nose.

Wearing face masks

Face masks can protect you from breathing in germs. Face masks also can protect others from breathing in your germs if you’re sick.

Wear a mask that covers your nose and mouth, fits your face without gaps, and is comfortable for you to wear all day.

When the germs that cause COVID-19 are spreading in your area, masks can lower the risk of infection. But some people may choose to wear masks at other times.

Schools can support masking in a few ways.

  • Teach students and staff about why people may choose to wear a face mask.
  • Accommodate people who can’t wear masks due to a disability.
  • Provide access to clear masks that allow for lip reading.

Don’t place a face mask on a child younger than age 2 or a person with a disability who can’t safely wear a mask. It can be hard to find a mask that fits a child’s face so be prepared to try more than one if needed.

Some masks may have instructions on how to make them fit without gaps. And you may need to teach your child how to put the mask on or take it off correctly.

When the COVID-19 virus spread is high

Getting a vaccine, having good airflow and following good hygiene habits such as washing hands are basic steps to protect from infection. Wearing a face mask also may be part of your typical response.

But other actions may be needed during an outbreak of COVID-19. If the level of illness in the community is high, other steps can help manage the risk of getting sick.

  • Schools and health agencies may communicate actions parents and caregivers can expect schools to take during this time.
  • Schools may ask parents to look for certain symptoms.
  • Schools may change the policy for when a person who is ill can come back to school. Some schools may test people who don’t have symptoms to screen for COVID-19.
  • Schools may put teachers and kids into separate groups, called cohorting. That way even if people in one group get sick, those in other groups may not.
  • Schools may change where classes are held, focus on being outside or increase space between kids within the classroom.

What to do if your child has COVID-19

Your child’s school likely has a policy about illness and school attendance, but in general, there are some symptoms that are best managed at home. This includes fever, vomiting and loose stools, also called diarrhea. People with these symptoms are likely able to spread whatever germ they have.

If your child has COVID-19, talk to your child’s healthcare professional. Most children recover quickly without serious illness.

Also, contact the school. Make sure you understand the school’s policy on when your child can return to school.

Once your child is feeling better, the policy for getting back in the classroom may be clarified by the school. But generally, people can get back to their daily activities if the following are true.

  • They haven’t had a fever for 24 hours without taking medicine for fever.
  • Respiratory symptoms are getting better.
  • They can eat and drink without throwing up.
  • Stools are back to what are typical.

Preventing illness in schools

No one can avoid all germs, but there are ways to help lower the risk of illness.

Teaching good hygiene helps keep your child from missing school due to illness and helps keep your family safe from germs that could travel home.

Another option may be to get involved at your child’s school. Learn about the school’s policies on how to manage illnesses so you understand the risks and how to lessen them.


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Snapchat joins Selfridges’ summer promotion Sportopia line-up

Snapchat joins Selfridges’ summer promotion Sportopia line-up

Selfridges’ already busy sports-themed summer promotion Sportopia at its flagship London store has now added Snapchat to the roster.

The multimedia messaging app has launched its own sports themed augmented reality (AR) Locker Room at the department store with the pop-up available throughout July and August.

Offering ‘AR Mirror’ experiences, shoppers are able to virtually try on their favourite sports kits, interact with top sports brands and experiment with AR lenses. They can also see their appearance in a custom Team Selfridges Sportopia football kit.

A QR code will also let them save and share their favourite looks with friends and family.

Snapchat Senior Marketing Director of EMEA, Kate Bird, said:“Sports fans are no longer just the people flooding the stadiums – there’s a much larger digital audience, and new tech like AR is continually changing the way people engage with sport.

“To connect with the next generation of fans, sports teams, channels and brands have to meet them where they are – and our immersive Locker Room experience demonstrates how Snapchat is helping brands to connect with digital communities and getting people closer to the games they love.”

The sport-themed activations at the store also includes a Lacoste takeover. Not only has it taken over the rooftop Alto by San Carlo restaurant and terrace to temporarily open Le Club Lacoste, but it has also secured exclusive second-floor space to display its new summer runway collection.
 
That’s a “global retail exclusive” for the collection by newly-appointed Creative Director Pelagia Kolotouros. 
 
And Authentic’s Champion brand has also launched a shop-in-shop concession within the store. 
 
It’s in the ‘Designer Studio on the Third Floor’ and features a curated collection of the brand’s “most elevated product”, inspired by Champion’s archives, as well as a selection of exclusive pieces available only at Selfridges.

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How to Set Transformation Targets That Actually Drive Change

How to Set Transformation Targets That Actually Drive Change

Eleven out of 12 top-down target transformations fail to achieve their goals, with only a fraction of theoretically “executed” or “realized” improvements translating to the corporate ledger. In this article, Bain & Co partner Michael Mankins summarizes Bain research findings that show what actions make the difference between success and failure in setting and achieving transformation targets. The key practices are: changing leadership’s mindset around targets; specifying targets in absolute, not relative, terms; using the company’s budget or operating plan to monitor success; and setting more than cost-based targets.

 

 

 

Most top-down, target-driven transformation programs fail to produce lasting results. Bain’s research on over 350 companies worldwide found that only one in 12 target-driven transformations succeeded in delivering sustained performance improvement. Too often, transformations set ambitious targets but fall short of achieving them. Worse, some organizations hit their targets on paper only to discover that a fraction of the theoretically “executed” or “realized” improvements translate to the corporate ledger.



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Mars study suggests ocean’s amount of water could be miles beneath red planet’s surface

Mars study suggests ocean’s amount of water could be miles beneath red planet’s surface

New research suggests Mars could have enough water under its surface to form a global ocean.

On Monday, scientists released their findings, which are based on seismic measurements captured from NASA’s Mars InSight rover, which detected over 1,300 marsquakes before shutting down two years ago.

The water is believed to be hiding in the cracks of rocks underground and could be seven to 12 miles beneath the Martian crust.

The water may have seeped from the surface billions of years ago, when the red planet had rivers, lakes and possibly oceans, lead scientist Vashan Wright of the University of California San Diego’s Scripps Institution of Oceanography told The Associated Press.

NASA’S PLAN TO BRING MARS SAMPLES TO EARTH UNDERGOES REVISION DUE TO BUDGET CUTS

NASA’s InSight Mars Lander

A view of Mars from NASA’s Mars InSight Lander (NASA/Twitter)

But even though water could be underneath Mars’ crust, it does not necessarily mean it holds life, according to Wright.

“Instead, our findings mean that there are environments that could possibly be habitable,” he told the AP in an email.

Wright’s team used computer models and readings from Insight, including the velocity of the quakes, to determine underground water was the most likely explanation.

NASA FINDINGS FROM THE LAST YEAR INCLUDING EXTRAORDINARY ASTEROID SAMPLES, GALACTIC DISCOVERIES

An illustration shows the MAVEN spacecraft and the limb of Mars

MAVEN Artist’s Concept Orbiting Mars: This illustration shows the MAVEN spacecraft and the limb of Mars.  (Credits: NASA/GSFC)

The team’s results appeared in the Proceedings of the National Academy of Sciences on Monday.

Wright said if InSight’s location near the planet’s equator is representative of the rest of Mars, there would be enough water underground to fill a global ocean at a depth of about a mile.

Scientists would need to find a way to drill down deep enough into the planet’s crust to confirm the potential of life and the presence of water.

While large volumes of water are believed to have existed on the surface of Mars over 3 billion years ago, scientists hypothesize the water either drained down into the ground or was lost to space.

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The water is also believed to have vanished as the planet’s atmosphere thinned, turning the planet into a dry and dusty world.

The Associated Press contributed to this report.


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Nascar Pit Crews Are Using AI for the Perfect Pit Stop

Nascar Pit Crews Are Using AI for the Perfect Pit Stop

Formula One’s paymaster, Liberty Media, may have thrust the sport deep into its American heartland—there are now three grand prix in the US—but it’s Nascar that continues to build its TV audience there against a slight decline for the “open wheel” F1 and IndyCar championships.

European race fans are famously sniffy about stock car racing, but there’s something about an ostensibly low-tech, normally-aspirated pushrod V8—with a capacity of 358 cubic inches (5.8 liters) and a 670-hp output—charging round an oval that reaches the parts other race series don’t. Or have perhaps given up on.

Not that the Nascar grid isn’t trying to gain a technological advantage every which way it can. Lenovo is working with one of the series’ biggest names, Richard Childress Racing, to help finesse its pit stops during a race—and there are lots of them in the Nascar Cup Series, anywhere between five and 12 depending on the circuit and what’s happening ontrack. In particular, the company is using AI to gain real-time insights into refueling.

Fuel mileage is obviously a critical part of any Nascar race, almost an art in itself—in addition to being a source of drama and jeopardy. (NB: Refueling has been banned in F1 since 2010 for cost and safety reasons.) The cars themselves aren’t fitted with fuel gauges in the cockpit, so it’s down to the teams’ strategists to constantly monitor the amount that goes in during a pit stop and the rate at which it’s consumed.

As with any other use case, fuel consumption depends on a number of variables, including the length and configuration of the track and the speeds the cars are running at. There are a number of “cautions” during a race, at which time the cars will typically use half as much fuel.

In Nascar, the drivers also “draft,” a technique that enables them to maintain speed in the pack without using full throttle. Less fuel consumed means fewer pit stops, and when they do pit they take on a smaller amount. On average, a Nascar Cup series car—not the most energy efficient device—will use 100 gallons (380 liters) of fuel in a race.

Lighter Is Always Faster

It’s not an exact science, but the aim of Lenovo’s AI team is to make it as close to one as possible. If RCR could measure the amount of time the fuel cans were connected to its cars, it figured, then the team could calculate more precisely the quantity of fuel delivered.

That was the brief. Lenovo’s response was to devise a system that used in-car transponders and a camera mounted above RCR’s pitbox to identify when a car has entered the box and begin a real-time videofeed.

“An AI engine looks at each frame and classifies whether the fuel can is plugged or unplugged,” Lenovo AI data scientist Sachin Wani explains. “We’re working at 30 frames per second, so the information is accurate to within about 0.03 seconds. Prior to this, the fuel man knew that he had to pump in about seven seconds worth of fuel—without any devices to help because of safety concerns.”

“So, basically it came down to mental calculations, which meant that seven seconds could become eight or nine. Or worse still, five or six. That obviously messes up the strategy, and creates a situation where they’ve short-fueled and need to make another pit stop,” says Wani.


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Zurich Film Festival Reveals First Gala Titles

Zurich Film Festival Reveals First Gala Titles

The Zurich Film Festival has revealed the first titles in their Gala section, which includes several films that will bring star power to the red carpet and directors with award-winning credentials.

Among the first 11 titles to be announced are “Conclave,” by the director of Oscar winner “All Quiet on the Western Front,” Edward Berger, with Ralph Fiennes, Stanley Tucci and John Lithgow heading the cast.

Also selected is Tim Fehlbaum’s “September 5,” starring Peter Sarsgaard, and Gia Coppola’s “The Last Showgirl,” which is toplined by Pamela Anderson and Jamie Lee Curtis.

Steve McQueen, an Oscar winner with “12 Years a Slave,” delivers “Blitz,” starring Saoirse Ronan and rock star Paul Weller, and Nick Hamm presents “William Tell,” starring Claes Bang and Ben Kingsley.

Sean Baker’s “Anora,” the winner of the Palme d’Or at Cannes, also joins the selection, as does Jesse Eisenberg’s “A Real Pain,” featuring a cast led by Kieran Culkin and Eisenberg.

World premieres include Michael Krummacher’s “Landesverräter” and Sönke Wortmann’s “Der Spitzname.”

Also in the lineup are Icíar Bollaín’s “Soy Nevenka” and Josh Margolin’s “Thelma.”

ANORA
Drama
U.S.
Director: Sean Baker
Cast: Mikey Madison, Paul Weissman, Lindsey Normington
Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.

BLITZ
International Premiere
Drama/Action
U.K., U.S.
Director: Steve McQueen
Cast: Saoirse Ronan, Elliot Heffernan, Harris Dickinson, Paul Weller
The film follows the epic journey of George (Elliott Heffernan), a 9-year-old boy in World War II London whose mother Rita (Saoirse Ronan) sends him to safety in the English countryside. George, defiant and determined to return home to Rita and his grandfather Gerald (Paul Weller) in East London, ensues on an adventure, only to find himself in immense peril, while a distraught Rita searches for her missing son.

CONCLAVE
Thriller
U.K., U.S.
Director: Edward Berger
Cast: Ralph Fiennes, Stanley Tucci, John Lithgow
Following the death of the Pope, Cardinal Lawrence (Fiennes) is tasked with leading the search for a new Pope in the far corners of the Vatican. Lawrence quickly finds himself at the center of a conspiracy, as the cardinals forge factions and foster rivalries to serve their own ambitions. As the political scheming intensifies, Lawrence realizes that the late Pope concealed a secret from them. This must imperatively be uncovered before a new Pope is elected.

THE LAST SHOWGIRL
Drama
U.S.
Director: Gia Coppola
Cast: Pamela Anderson, Jamie Lee Curtis, Kiernan Shipka, Dave Bautista
Shelly, a seasoned showgirl, must plan for her future when her show abruptly closes after a 30-year run. As a dancer in her fifties, she struggles with what to do next. As a mother, she strives to repair a strained relationship with her daughter, who often took a backseat to her showgirl family.

A REAL PAIN
European Premiere
Drama
U.S.
Director: Jesse Eisenberg
Cast: Kieran Culkin, Jesse Eisenberg, Jennifer Grey, Will Sharpe
Mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin) reunite for a tour through Poland to discover more about the life of their recently deceased grandmother. The roadtrip, intended as a journey to the past, confronts the two with the present, in which they question their mutual relationship and their family history.

LANDESVERRÄTER
World Premiere
History
Switzerland, Germany
Director: Michael Krummacher
Cast: Dimitri Krebs, Fabian Hinrichs, Stefan Gubser, Lena Wedler
St. Gallen during World War II: Deluded into believing he could become a famous singer in Germany, poor tramp Ernst Schrämli sells Swiss military information to a manipulative German Nazi spy. When he is caught, Ernst becomes the first Swiss person to be sentenced to death for espionage and treason. “Landesverräter” is based on real events and portrays a young daydreamer from the provinces who is exploited and betrayed during the war. Ernst Schrämli was the first of 17 traitors in Swiss history to be executed.

SEPTEMBER 5
Drama
Germany
Director: Tim Fehlbaum
Cast: Peter Sarsgaard, John Magaro, Leonie Benesch, Ben Chaplin
Munich, September 5, 1972, day 10 of the Summer Olympics. Returning to Germany for the first time since 1936, these were supposed to become known as the “cheerful games” to show the world the picture of a new, liberal Germany. But at 4:40 a.m., the ABC’s team on the early shift hears gunshots fired in the Olympic Village nearby. A group of Palestinian terrorists has taken 11 members of the Israeli delegation hostage. Against the resistance of its own news department, the ABC Sports team reports live on the 21-hour hostage-taking. The film follows the story of Geoff (John Magaro), a young, ambitious producer who wants to impress his boss, the legendary Roone Arledge (Peter Sarsgaard). With the help of the German interpreter Marianne (Leonie Benesch), Geoff unexpectedly takes over the management of the live show. With time running out, contradicting rumors circulating, and the lives of the hostages at stake, Geoff has to make difficult decisions and reflect on his own moral compass. How should one report on such a situation when the perpetrators are using the media attention for their own ends?

SOY NEVENKA
International Premiere
Drama
Spain
Director: Icíar Bollaín
Cast: Mireia Oriol, Ricardo Gomez, Pipo Suevos, Carlos Serrano
The real-life case of a pioneer, Nevenka Fernández: the first woman to successfully bring an influential and popular politician to justice for sexual harassment in the workplace.

DER SPITZNAME
World Premiere
Comedy
Germany
Director: Sönke Wortmann
Cast: Iris Berben, Christoph Maria Herbst, Florian David Fitz, Janina Uhse
Anns (Janina Uhse) and Thomas (Florian David Fitz) want to get married, and they have invited their family to the Alps in Tirol. In a bad mood as usual, Stephan (Christoph Maria Herbst) ponders about the current lives of the Böttchers, Wittmans, Bergers and Königs while on the ski lift. To everyone’s surprise, Anna has after all started an acting career, Thomas is about to be promoted to the managing committee of a real estate group – provided he passes the obligatory sensibility training course. Stephan’s wife Elisabeth (Caroline Peters) still works as a teacher but is secretly boosting their family’s budget with bitcoin trading. And René (Justus von Dohnányi) who has three-year-old twins with his wife Dorothea (Iris Berben), turns out to be an overly protective helicopter dad. Stephan himself was recently fired from his job as a university professor; there had been an incident. And Stephan and Elisabeth’s juvenile, woke children, Cajus (Jana Volkmann), 18, and Antigone (Kya-Celina Barucki), 17, add further chaos to the hoped-for idyll. In the end, it is not only the wedding that is on the rocks.

THELMA
Action
U.S.
Director: Josh Margolin
Cast: June Squibb, Fred Hechinger, Richard Roundtree, Parker Posey
When 93-year-old Thelma Post (June Squibb) gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her. A story exploring aging, family and autonomy (and inspired by action movies like “Mission: Impossible”) – “Thelma” is based on a real-life experience of writer/director Josh Margolin’s grandmother, and marks Squibb’s first leading film role of her 70 plus year career.

WILLIAM TELL
European Premiere
Epic
U.K., Italy
Director: Nick Hamm
Cast: Claes Bang, Connor Swindells, Ellie Bamber, Ben Kingsley
The 14th century. Within the Holy Roman Empire, the European nations compete for dominance. The Austrians, hungry for land, press into Switzerland, a rural and tranquil country. As his wife, son and country are threatened by the tyrannical Austrian king and his warlords, a once peaceful hunter and former crusader, William Tell, leads his people to rebellion.


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